 Today I thought it would be interesting to record the stages of today's work. I decided to draw the penguins again, as I wanted to practice composition a little, pre-planning in pencil, moving stuff around etcetera. But almost the first of my photo's was kinda perfect as it was. So no pre-planning done.
 Today I thought it would be interesting to record the stages of today's work. I decided to draw the penguins again, as I wanted to practice composition a little, pre-planning in pencil, moving stuff around etcetera. But almost the first of my photo's was kinda perfect as it was. So no pre-planning done. Started with a pencil sketch, on which to base the next stage. This I rarely do but feel that maybe I should more often.
 Next was adding the colour. I still wasn't sure if I wanted to do a line drawing using ink at this stage, or whether I would go for more depth using watercolour. Or stick to the graphite - the combination of small areas of watercolour and graphite can be very delicate and beautiful. However, I didn't feel that would be right for these guys.
Next was adding the colour. I still wasn't sure if I wanted to do a line drawing using ink at this stage, or whether I would go for more depth using watercolour. Or stick to the graphite - the combination of small areas of watercolour and graphite can be very delicate and beautiful. However, I didn't feel that would be right for these guys. So I went with the watercolour - I was using HP watercolour paper - but disaster struck. I wasn't used to the paper and the paint seemed to dry instantly, making it very difficult to keep a leading edge. It also made it impossible for me to charge the wet areas with thicker, darker paint - a technique I use a lot in life drawing. But that is on Bristol paper . . .
 So I went with the watercolour - I was using HP watercolour paper - but disaster struck. I wasn't used to the paper and the paint seemed to dry instantly, making it very difficult to keep a leading edge. It also made it impossible for me to charge the wet areas with thicker, darker paint - a technique I use a lot in life drawing. But that is on Bristol paper . . .  This is the next layer, trying to improve matters. Daylight was beginning to fade by this time, making the photography difficult (the drawing being just a little too large to scan). As you can see, I am trying to make a virtue of the uneveness and add in darker tones. But it would take a few more layers before we got to the final image.
 This is the next layer, trying to improve matters. Daylight was beginning to fade by this time, making the photography difficult (the drawing being just a little too large to scan). As you can see, I am trying to make a virtue of the uneveness and add in darker tones. But it would take a few more layers before we got to the final image. Photographed at night, so not a great image. Oh well. Ended up with something I quite like and I learned a fair amount doing this. But I still prefer the original drawing.
 Photographed at night, so not a great image. Oh well. Ended up with something I quite like and I learned a fair amount doing this. But I still prefer the original drawing.
 
 
 
 Posts
Posts
 
 
No comments:
Post a Comment