Painting Frocks (And Some Jackets)

Thurs 4th Feb

On thursday I began to tackle A Century Of Style , an exhibition I'd been to a couple of weeks ago at Kelvingrove. I was very taken by the exhibition, especially the mirror used so we could see right round the clothes, and thought they's be a good basis fr exploring space and composition as well as colour.

Two Frocks

Three Frocks

Masculine Red

These three paintings are the result and I am fairly pleased with them, but am aware they are a beginning - this is very much a theme I will be returning to later.

2016 - The Year To Come

The start of a new year, time for new beginnings, and I know that non-art commitments are going to keep me very busy for the next six months at least.

So I have decided that painting at least one little painting every day I can make it to the studio will keep things ticking over. It will also let me experiment quicker with my materials, with methods, with composition, paint application and colour - in short, with pretty much every aspect of picture making.

So I have promised myself to paint a hundred paintings over the next hundred days. Most of these will be small oil studies although I will count bigger paintings and possibly drawings, depending on what I am working on as the time goes on. Each work only gets counted once, though, even if I spend more than one day on it. To start with the little studies will be museum interiors - like the lady dancing above, who is from the British Museum. This is because I have been thinking a lot about composition and depth recently, as well as looking at how different people have portrayed the human form previously. But who knows what I'll be painting by the end of the time!

Anyway, I will be posting them (good and bad) here, facebook and at @glasgwjane on twitter. All encouragement very welcome!

WIP 9th September

A bit of a drawing week this one, partly because I didn't have a lot of studio time and partly as I wanted to explore the 12x16 inch format more. One of the changes that I'm planning is working with a more limited range of sizes and this one seems to fit a single figure quite well. Not all of these drawings will become paintings as some ideas are just better than others - the top right in particular I think should be a smashing painting, although I prefer the ones on the left as drawings.

So I had a day painting, in which I may have finished the top two and have made progress on the other two - if they have dried enough they will get more done tomorrow, with the little cat probably being finished then. The other one I suspect will take some time - not least because the aluminium is new to me and I'm still not decided if I'll leave part of the surface bare or not. Any opinions?

WIP 2nd Sept 2015

Mainly painting again this week - started four new paintings and done more work on six others, from changing the background to fully finishing. Eight of these should get finished over the next week and then I'll move on to finishing the five still lifes that have been in progress since before May. It will be a relief both to finish the uncompleted works and to get a batch of new paintings up on the walls.

Although I'm itching to get started on some bigger paintings based on the drawings I've done so far that might have to wait a few weeks until after the Open Studios at Hanson Street in the first weekend in October. Up until then I'll mainly be limiting myself to smaller works - I've been having ideas about a new series of works, all 12x16 inches. The plan presently is to spend Saturday doing drawings in preparation for these, so we'll see how it goes.

WIP 25th August 2015

Finally (finally!) I've managed to spend a whole day painting - woohoo!

So what did I do? Well, I finished the two back views that you could see a couple of posts ago but they are now at the framers so aren't in this pic. I'm very pleased with them, which is good as they are the first paintings done entirely post-op and as part of the new project.

I also got started on a new little portrait and put a basic layer of colour on all the paintings I had started the week before. In the coming week I hope to finish at least a couple of these. And I did some work on paintings that have been up on the wall for months - there's a little more to be done with the still life and a lot for the girl with the hat. The dragonfly winged lady though is done which is a relief as she has been causing an awful lot of trouble and at once stage I was worried she was just on too small a scale for me. But in the end it was the colour that needed balanced more than anything.

What else? two new models and two new drawings as well as the start of a studio clean/re-organisation and a trip to Edinburgh - it's been a busy week!

WIP 6th August 2015

A busy week, so not much studio time. Did get some painting done though - think I'm finally done with the big still life, and have made progress with the teacakes and the two back views, may be able to finish all three next week. Also did the two little framed works from start to finish - they are drawn in graphite on gesso panel, then a layer of oil paint added, which gives quite an interesting effect. They were an experiment, for a show at the Glasgow Art Club on the theme of oil and water, and like all good experiments have given me more ideas to try!

Flights Of Fancy At Mansfield Park Gallery

Time For Some Fun

Last weekend was a busy one, as the Flights Of Fancy exhibition opened at Mansfield Park Gallery on the sunday and on the saturday I was at the Glasgow Contemporary Art Fair - non stop art!

The afternoon was great fun, long chats with many artists surrounded by beautiful painted birds. If you weren't lucky enough to be there the show is on till the 16th of May and I very much recommend taking the time to go see it - it really is a delightful mix of work by many of the best artists working in the area (and me).

Glasgow Contemporary Art Fair

Miss Dotty

Miss Dotty is going on show along with a selection of my other work, both figurative and still lifes (and one cat), at Glasgow Contemporary Art Fair with Art Exposure Gallery next weekend - it promises to be a really exciting event, with a huge variety of work from many galleries and I am really excited about going along to see all the work.

The Uncharted Butterfly

The same weekend but on the Sunday, Mansfield Park Gallery opens its Flights of Fancy themed exhibition - the private view invite card is fab and this is another show I'm really looking forward to seeing the other artists work - it is going to be an art filled weekend next weekend, can't wait - and hopefully see you there.

Affordable Art Fair Battersea March 2015

Recently I've become a little cup obsessed, which is kinda nice as it lets me set up still lifes and play around with colour and pattern easier than you can do with portraits.

These are two of these new works, which will be on show with another two cup paintings and a selection of my figurative work at the Battersea Affordable Art Fair this weekend. Tracey Mcnee will be representing me, along with several other terrific painters and I'm sure it'll be a great show - I'm pretty sad that I'm just too busy at the moment to go down and see it myself, but if you are in the area, let me know what you think of my mini change of direction.

Starting A Painting - Day 12

A little slide show of a painting that I started this morning, showing the stages of the first stage of a Jane painting. It seems to run too fast, so will post each photo seperately.

First is the drawing, squared from photoshop, using watercolour pencil.

Next are the darks - if it doesn't read at this stage, then I need to go back to the beginning, re-draw, re-think. Not this time, though!

Then I add the mid tones, and generally things look much worse as the white of the canvas is still showing. In this case the white is oil primer on aluminium - an experiment!

Lastly I add the lights - these are much darker than they will be eventually, same as the darks are generally not as dark. Everything is grey/brown as well, so I can judge easier the colour of the next layer easier - in this case, there will be lots of blue toned greys and black, which is why the colours here are more brown, which should add a bit of contrast.

At this stage I stop to let things dry and for me to consider the painting while stuff is still changeable. It'll probably lie about my studio for a week or so while I work on other stuff, then hopefully I'll be able to finish this in one more layer, maybe two.

Christmas Shows 2014

Fourteen of my paintings have been delivered to four galleries in preparation for their Christmas shows.
First up is Mansfield Park Gallery, who will be having a changing show, as buyers will be able to take their paintings with them, rather than waiting for the show to end - my contribution is two paintings of tea-cakes as well as one of a magic wand and a tiny 10 cm painting.
Leiper Fine Art have also started hanging their Christmas show but won't be having the opening until the 4th. It will be my first time showing with them - although not the first time at one of their openings - and it will be interesting to see The Beauty and The Innocent in among other painter's work.
Art Exposure Gallery is now on Great Western Road, a couple of doors down from Dominoes and across from the underground, and will be having their opening on Friday the 28th. They will have the upstairs area all finished by then so I expect it will be a great night to see a good range of work - along with Peek-a-boo (above), The Crest , Metamorphosis and two of the clown drawings.
Finally there is The Glasgow Art Club with their exhibition open to the general public from the 24 th. This one is particularly not to be missed, as it includes work from past as well as present members so provides a bit of a survey of painting in Glasgow since it opened - there is a watercolour painting of roses by Mackintosh, an oil by his teacher Fra Newbery, a couple of Muirhead Bone's prints, several luscious David Donaldsons and John Cunningham's fab Garden Festival painting, for example. Hanging the show, getting a close up look at these, was a real pleasure, and I do feel honoured to be hanging on the same walls as them - The Fool and the The Queen are both near the bar, while The Fall is in the newly restored big hall.
See you there?

Hanson Street Wasps Open Studios 4th and 5th October

It is Open Studios time of year again and Hanson St will be open for 12 till 5 Saturday the 4th and Sunday the 5th of October.

This year I will have several paintings on show from the recent exhibition as well as drawings and colour studies, so a wide range of sizes and prices.

My studio mates are as always showing terrific stuff - you can see more and keep up to date at Facebook .

WASPS other studios are open on different weekends throughout October - details at WASPS open studios

Glasgow Art Club Autumn Show 2014

The show at Mansfield Park Gallery is over and some of the paintings have come back to me, to be sent out to new places.

The first of these new places is the Glasgow Art Club Autumn show, opening this Saturday afternoon and the painting I'm sending is The Coins. The rest will stay with me for the time being.

If you want to come along and see how my painting looks in amongst other works from the Art Club members either let me know or just come along between 3 and 5 on Saturday. Otherwise the place is open most days and the show will be on for around a month.

Last Chance To See The Performance

The Reader was the last painting in the show to be finished, but in many ways is my favourite as there is more of me in her than any of the others - always reading, always dreaming.

What I'm dreaming about now is drawing, new paintings, developing some of the themes that have arisen during making this show - it is time for me to take stock and move on. The show closes Sunday afternoon and I get some of the paintings back next week - but they will never all be together again. But some of them will be mixing with other paintings by other artists in new shows, which is quite exciting.

As for what book she is holding? I left it blank in the painting but in reality it was Alice In Wonderland.

Mansfield Park Gallery -

A few folk have asked me about shots of the paintings hung in the gallery - so here they are.

Falling In Hyndland

Today I went back to Mansfield Park Gallery and found that The Fall had been put in the window.

So now she can look out onto Hyndland Road. Before I've always though of her falling backwards down through the air or maybe the sea and indeed the reflections add to the feeling she is under water but for the first time it has occurred to me that rather than falling down she may be falling up.

Whichever direction she is going in though I feel she's not quite sure but she is resolute and she will make a go of it wherever she ends up.

Superwoman and The Teenager

The Superwoman came first and was a joy to paint - the model hand such capable hands I really felt it was important to paint them, along with the wedding ring and the very practical jeans.

Later I noticed that another model was standing in a very similar pose, but communicating defiance and uncertainty rather than capability and confidence. It seemed natural to explore the differences through colour, with a orange/green rather than blue/yellow pairing, as well as making the second painting much darker overall.

It has occurred to me that this particular stance may be much more common to women than men - I've certainly been both at some point - what do you folks think? And do you prefer one painting to the other?

Performance - Jane Gardiner's Solo Show

Today I am recovering after the day before, as yesterday was the private viewing of my first ever solo show, at Mansfield Park Gallery. . If you missed it, the paintings will be there for another three weeks.

And I am knackered, both from the drink, the talk and the relief of my part being done.

So I'm having a couple of days off, today drinking tea, lounging with the cat, thinking of all the lovely things people said about my paintings yesterday and maybe drawing the flowers that Fran Hanley gave me later.

Tomorow I go to Edinburgh for the festival and to see what artists are up to over there - particularly looking forward to John Byrne's two exhibitions.

But I thought that now would be a good time to remind folks of where you can find me elsewherre on the internet.

At facebook I am Glasgow Painter , Jane Gardiner is the webpage, with a listing of exhibitions, a bio, and a link to my mailing list as well as my email address. Flickr is mainly paintings and I'm not around there as much as I used to be. Pinterest is full of ideas but I know some people worry about how easy it is to share pictures and that attribution can be lost. Finally, there is twitter.

The Romantic

This lady I had hoped to have on the card for the show, but unfortunately she took too long to paint and then caused the poor photographer no end of trouble. Still, here she is now.

She is another big painting at four feet high. If I hadn't been doing the show and trying to make sure I filled the walls I'm not sure I would ever have attempted anything like this - but I'm so glad I did. There is just so much more you can do with more space, with including clothing and hands and little hearts and wild hair, that you just can't do with closely cropped head and shoulders.

Maybe there is a fair bit of romantic in me, too - I'm certainly looking forward to the future, meeting you folks at the opening, just as she is looking towards whatever is next - although we do both have a fair bit of trepidation.

The Classic

Another painting from the show, another back view, another beautiful lady.

This time I very much wanted to contrast the warm colours of her skin and the background with the cool, reserved pose. The most detail in the painting is in the ear, an area of the body that is entirely receptive and very individual. It was this balance between control/lack of control, natural/done, warm/cool that I found fascinating. Her hair and make-up is very classic, hence the name of the painting, and of course bare skin is the most classical garment of all - especially when worn with poise.