Painting Frocks (And Some Jackets)

Thurs 4th Feb

On thursday I began to tackle A Century Of Style , an exhibition I'd been to a couple of weeks ago at Kelvingrove. I was very taken by the exhibition, especially the mirror used so we could see right round the clothes, and thought they's be a good basis fr exploring space and composition as well as colour.

Two Frocks

Three Frocks

Masculine Red

These three paintings are the result and I am fairly pleased with them, but am aware they are a beginning - this is very much a theme I will be returning to later.

Inspired by Mackintosh

So the challenge of the day was to make work inspired/based on a particular artist - I chose Mackintosh, since he is such a local hero and his work is quite different from mine, loads of sharp edges and geometry as opposed to soft organic curves.

Relatively pleased with the results, learned a fair bit and the second painting's viewpoint is something I will develop into bigger paintings later on.

The Little Dancer

Degas is one of my art heroes and I knew as soon as I started this challenge I'd be including this little lady. I intend to do a whole series eventually, hopefully with her in various museums around the world, but to start with here she is in the Musee D'orsay.

(Rather enjoyed painted the little paintings in the background of the first paintings, and the man in the second - he really did have his feet in a very similar position to the statue! )

The Threshold, Kelvingrove Museum

The Threshold

Really happy with this one, based on The Threshold by Mary Buchanan at Kelvingrove Gallery.
It is painted on a board prepared earlier with a layer of cadmium red, and the darks were put in first with an inch brush. Then went in the light tones, with most detail for the sculpture. The result is a very warm painting with glimpses of fiery red - which suits the theme.

Colour Crazy

After painting The Red Wall I thought I'd continue the colour theme - I'm on a mission to use all the colours!

The Red Wall

Yesterday was a good day. The main aim of both these paintings was to explore mark making more and think about colour. Happy with the results!

Why Museums?

Why museums? Lots of reasons, not least that I have loads of photographs from The British Museum and The Louvre from when I was there in November. At that point I was thinking a lot about backgrounds and composition as well as wanting to learn more about how different people have imaginatively portrayed the human figure.

These are all things I want to explore and experiment with during the hundred days, along with thinking more about colur and mark making. Other advantages are that there are plenty of museums within easy travel distance for me to get new reference material (particularly looking forward to The Burrell Collection) and that there is a very wide range of possible subject matter, allowing me to explore a sorts of colour combinations and compositions.

However, there are limitations - working only from photographs, not controlling the light or the arrangement of objects. In some ways though these are freedoms - building a database of photos to work from is time consuming but can be done when otherwise tired and means that getting started in the studio is fairly painless. Not having control over the subject matter's arrangement or lighting means I have to concentrate more on composition and colour.

But the main reason is that I just really like being in museums. The only other type of place I maybe like as much (apart from the studio) are bookshops. Take me to a beautiful, awe inspiring landscape and I'm pretty bored. Take me to a museum, and I could be there for days - looking at the exhibits, drawing the exhibits, watching the people, having a glass of something and cake . . . they are like a little world apart, parallel to normal life, each one different and yet the same as all the others. Heaven!

Animals

Seems to be an animal theme today. Sadly the photo's are just too rubbish to share individually.

Getting Into The Swing

For the last couple of days I've been doing non-art stuff mainly so it was nice to get into the studio again today.

This is the first day I've not had to think about my materials too much and could therefore concentrate more on colour and mark making - there is always more to learn but progress is being made - and I'm now up to 11 paintings, which should give me a bit of leeway.

Classic Bahookie

So today I got to experiment with my new brushes and the Michael Harding medium.

First I painted the four lioness ladies, using the soft brushes on a board to which I had applied a layer of burnt sienna.

The paint flowed much better than previously and I was fairly happy with the result. But I was itching to try the medium.

And this is the result - much more painterly and flowing, generally just managed to control the paint better. Using the dark background that I'd prepared a few days ago also let me really concentrate on the lights. Definitely and improvement!

Pericles

Day 2 and I am experimenting with my materials, after having problems yesterday.

Initially I tried again with the same methods and although I quite like the resulting painting (furthest left) it was a bit of a pain to paint.

So next time, the first thing I changed was putting a layer of burnt sienna down and then wiping it off, in the hope that this will make my painting surface less grabby. This worked beautifully for Pericles, which is painted on linen. Then I used dark paint thinned with turps to lay down a drawing and then used paper towel and turps to lighten areas. Next I tried actually painting and soon ran into trouble. Changing to a soft brush made all the difference though and I was able to lay down a fairly solid area. However, the biggest soft brush I have is only about a cm across, so clearly I need to go shopping.

The lack of a big brush showed up even more in my next painting, The Egyptian Duo. This one is on gessoed board and I really struggled getting the paint to flow in any reasonable way. This is a shame as it is fairly easy to get boards in small sizes and generally for my other work I prefer them.

This afternoon I'm going to put a layer of paint onto a few of these boards and let them dry. Hopefully that'll help, along with bigger brushes!

2016 - The Year To Come

The start of a new year, time for new beginnings, and I know that non-art commitments are going to keep me very busy for the next six months at least.

So I have decided that painting at least one little painting every day I can make it to the studio will keep things ticking over. It will also let me experiment quicker with my materials, with methods, with composition, paint application and colour - in short, with pretty much every aspect of picture making.

So I have promised myself to paint a hundred paintings over the next hundred days. Most of these will be small oil studies although I will count bigger paintings and possibly drawings, depending on what I am working on as the time goes on. Each work only gets counted once, though, even if I spend more than one day on it. To start with the little studies will be museum interiors - like the lady dancing above, who is from the British Museum. This is because I have been thinking a lot about composition and depth recently, as well as looking at how different people have portrayed the human form previously. But who knows what I'll be painting by the end of the time!

Anyway, I will be posting them (good and bad) here, facebook and at @glasgwjane on twitter. All encouragement very welcome!

WIP 23rd September

Finally a painting week - 5 probably done paintings and three more started.

Some studio tidying/clearing as well, as it is Open Studios on the 3rd and 4th October. It's really nice to have some space again and to get some new finished works up on the wall.

As you can see two of the new paintings are the 12 x 16 inch size - and one is my first big paper mask painting. Can't wait to see what these look like finished, as they look pretty strong already. The other one doesn't have as clear tonal differences and I'm more nervous about it but the plan is for there to be some subtle painting things going on, to counteract the dramatic subject matter. Next week you should be able to see how I've progressed - I might completely change my mind.

WIP 25th August 2015

Finally (finally!) I've managed to spend a whole day painting - woohoo!

So what did I do? Well, I finished the two back views that you could see a couple of posts ago but they are now at the framers so aren't in this pic. I'm very pleased with them, which is good as they are the first paintings done entirely post-op and as part of the new project.

I also got started on a new little portrait and put a basic layer of colour on all the paintings I had started the week before. In the coming week I hope to finish at least a couple of these. And I did some work on paintings that have been up on the wall for months - there's a little more to be done with the still life and a lot for the girl with the hat. The dragonfly winged lady though is done which is a relief as she has been causing an awful lot of trouble and at once stage I was worried she was just on too small a scale for me. But in the end it was the colour that needed balanced more than anything.

What else? two new models and two new drawings as well as the start of a studio clean/re-organisation and a trip to Edinburgh - it's been a busy week!

WIP 6th August 2015

A busy week, so not much studio time. Did get some painting done though - think I'm finally done with the big still life, and have made progress with the teacakes and the two back views, may be able to finish all three next week. Also did the two little framed works from start to finish - they are drawn in graphite on gesso panel, then a layer of oil paint added, which gives quite an interesting effect. They were an experiment, for a show at the Glasgow Art Club on the theme of oil and water, and like all good experiments have given me more ideas to try!

Flights Of Fancy At Mansfield Park Gallery

Time For Some Fun

Last weekend was a busy one, as the Flights Of Fancy exhibition opened at Mansfield Park Gallery on the sunday and on the saturday I was at the Glasgow Contemporary Art Fair - non stop art!

The afternoon was great fun, long chats with many artists surrounded by beautiful painted birds. If you weren't lucky enough to be there the show is on till the 16th of May and I very much recommend taking the time to go see it - it really is a delightful mix of work by many of the best artists working in the area (and me).

Hanging About at Art Exposure Gallery

A wee collection of my tea cup paintings will be on show at Art Exposure from friday - their first proper showing in Glasgow and I am quite looking forward to seeing them in a gallery setting. The opening is from 5 til 8 on Great Western Road, I'll be there from soon after it starts and hopefully I'll see youse all there!

Affordable Art Fair Battersea March 2015

Recently I've become a little cup obsessed, which is kinda nice as it lets me set up still lifes and play around with colour and pattern easier than you can do with portraits.

These are two of these new works, which will be on show with another two cup paintings and a selection of my figurative work at the Battersea Affordable Art Fair this weekend. Tracey Mcnee will be representing me, along with several other terrific painters and I'm sure it'll be a great show - I'm pretty sad that I'm just too busy at the moment to go down and see it myself, but if you are in the area, let me know what you think of my mini change of direction.

Oil Painting of Mrs Cat - Day 26

Finished - maybe. For today, at least. At this stage I generally stop, put the painting up on my studio wall somewhere and see if it annoys me while I'm working on other stuff. In a week or two I'll take it down, have a closer look and either do more to it or decide it is done and put a layer of retouch varnish on it.

Then it goes back on the wall until I decide to either do more to it (it it's crying for attention) or send it to a gallery. Depending on how long it's been it then gets a final coat of varnish or gets taken directly to the framer.

After that it depends very much on other people what happens - although I have a sneaking suspicion I might just keep this one for myself!

Starting A Painting - Day 12

A little slide show of a painting that I started this morning, showing the stages of the first stage of a Jane painting. It seems to run too fast, so will post each photo seperately.

First is the drawing, squared from photoshop, using watercolour pencil.

Next are the darks - if it doesn't read at this stage, then I need to go back to the beginning, re-draw, re-think. Not this time, though!

Then I add the mid tones, and generally things look much worse as the white of the canvas is still showing. In this case the white is oil primer on aluminium - an experiment!

Lastly I add the lights - these are much darker than they will be eventually, same as the darks are generally not as dark. Everything is grey/brown as well, so I can judge easier the colour of the next layer easier - in this case, there will be lots of blue toned greys and black, which is why the colours here are more brown, which should add a bit of contrast.

At this stage I stop to let things dry and for me to consider the painting while stuff is still changeable. It'll probably lie about my studio for a week or so while I work on other stuff, then hopefully I'll be able to finish this in one more layer, maybe two.