Hanson Street WASPS Open Studio Event 5th and 6th October

Less than a week to go!

All the paintings are painted and most of the drawings drawn, as shown in my last post although several of them are still with the framer , who is having his usual annual sale during the event. Most of the booze (prosecco and spritzes will be served, as well as water and juice for the sober types) and nibbles (teacakes and ameretto biscuits mainly) have been gathered.

What needs done now is the scrubbing - the next couple of days will involve much elbow grease - those windows need cleaned again! - and I will post a picture of how it looks when sparkling clean. Better, though, is to see it for real, so do come along if you are able. Otherwise I'll have to eat and drink everything myself, which may not be popular with the husband!.

Also, to recap, here is how the studio when I moved in - Day 1 and Day 2 . I do have more photos of the progress after that and will look them out and post them tomorrow - as some of you know, I underwent shoulder surgery a fortnight after moving in, which stopped me typing as well as painting for a while.

But now it is full steam ahead and I hope that my visitors at the open studios will inspire me over the next year - feedback, both good and bad, is very important to me and I feel helps me progress. So don't be shy in telling me your opinions!

Drawings of Roses

WASPS annual open studios will be on the 5th and 6th of October - not next weekend, but the one after.

This will be the first time I've taken part as a tenant and not part of the life group - which is proving quite terrifying. There is a lot more organising than I was initially prepared for - but thankfully is now almost done. Just some elbow grease to go!

These drawings will be on show - it has been years since I've done this kind of detailed drawing but it was a very useful exercise while I was figuring out ways to paint them. Sometimes, especially when working with tonal values, changing from one media to another can really illuminate matters. And I feel the results are quite fetching, too.

So do come along and see them.

Civita Castellana

Just a few photographs from my balcny, which overlooked the main square of the town.

As you can see, the place is gorgeous, whatever the weather. Most of the buildings are a pale yellow/pink, which are in harmony with the sky pretty much all the time.

At night the lights have a strong yellow glow, to contrast with the deep blue of the night sky. Stunning.

Palazzo Massimo

The photographs kinda speak for themselves - the Palazzo Massimo is beautiful.

On the top floor is Livia's room, along with other frescoes roman houses - one of which may be Agrippa's and although less stunningly breathtakingl is still quite amazing.

There are stunning mosaics, in black and white and colour, of geometrics and fanciful scenes.

Further down are statues of a quality much higher than I expected from all the "roman statues are just poor copies of the greek" stuff you read in art history books - the portraits are particularly fine and interesting.

A trip much recommended - especially as the place is lovely and cool, without all the crowds you can get in some over museums (yes, Galleria Borghese, I'm looking at you!).

Morandi in Bologna

Last Thursday we went to Bologna - and it took five hours.

But was most definitely worth it. And I got to share the bus with Sharon and her group as well as being able to watch the lovely Tuscany landscape, so it wasn't all bad.

Once there, we went to MAMBO , which was mainly full of all the sort of stuff you see in GOMA - what is it with these capital letter acronym places? - but also had a set of rooms set aside just for Morandi. The above is some of my notes from this - fascinating stuff. Lots of ideas to steal for my next still lifes. If you ever get the chance, go. It may change your life . . . or at least your painting.

After that I wandered up to the old town. It was 41C, but all those colonnades made it comfortable even for me. There I went to the Munipical Art Collection which was quite fascinating - there wasn't really any stunning, big name stuff, but instead lots of charming very old altarpieces and icons, very competent portraits and a lovely little room at the end, painted to be like standing in the middle of a particularly well looked after wood. There is also an art gallery, but sadly I was running out of time (or so I thought) so went back to the meeting place, drank wine and chatted about the Slade School with a charming gent who knew Coldstream and Uglow amongst others. Its a hard life . . .

Civita Castellana - The Terrano Studio Center

This is my little studio while I'm here. Stunning, no?

It is however a twenty minute walk from the old town - and my shoulder still isn't really up to carrying my painting equipment for this length of time. Oh well. So I have moved most things back up to the Palazzo and am mainly using the studio for lining up the paintings once they are done.

So far I do feel they are improving - there are so many things to learn here - not least the logistics of what to take, where to find a shady spot and so on.

Think it may well be like New York, where it wasn't really until I got home that I felt my painting really started to improve.

Civita - First Day Painting

This morning was my first day painting - these were really just little experiments to try and figure out what paints to carry with me. Everything is so much bluer here - guess I'm going to have to ditch the sap green!

Above are some drawings from yesterday as I was wandering about, getting my bearings.