WIP 6th August 2015

A busy week, so not much studio time. Did get some painting done though - think I'm finally done with the big still life, and have made progress with the teacakes and the two back views, may be able to finish all three next week. Also did the two little framed works from start to finish - they are drawn in graphite on gesso panel, then a layer of oil paint added, which gives quite an interesting effect. They were an experiment, for a show at the Glasgow Art Club on the theme of oil and water, and like all good experiments have given me more ideas to try!

Christmas Shows 2014

Fourteen of my paintings have been delivered to four galleries in preparation for their Christmas shows.
First up is Mansfield Park Gallery, who will be having a changing show, as buyers will be able to take their paintings with them, rather than waiting for the show to end - my contribution is two paintings of tea-cakes as well as one of a magic wand and a tiny 10 cm painting.
Leiper Fine Art have also started hanging their Christmas show but won't be having the opening until the 4th. It will be my first time showing with them - although not the first time at one of their openings - and it will be interesting to see The Beauty and The Innocent in among other painter's work.
Art Exposure Gallery is now on Great Western Road, a couple of doors down from Dominoes and across from the underground, and will be having their opening on Friday the 28th. They will have the upstairs area all finished by then so I expect it will be a great night to see a good range of work - along with Peek-a-boo (above), The Crest , Metamorphosis and two of the clown drawings.
Finally there is The Glasgow Art Club with their exhibition open to the general public from the 24 th. This one is particularly not to be missed, as it includes work from past as well as present members so provides a bit of a survey of painting in Glasgow since it opened - there is a watercolour painting of roses by Mackintosh, an oil by his teacher Fra Newbery, a couple of Muirhead Bone's prints, several luscious David Donaldsons and John Cunningham's fab Garden Festival painting, for example. Hanging the show, getting a close up look at these, was a real pleasure, and I do feel honoured to be hanging on the same walls as them - The Fool and the The Queen are both near the bar, while The Fall is in the newly restored big hall.
See you there?

Glasgow Art Club Autumn Show 2014

The show at Mansfield Park Gallery is over and some of the paintings have come back to me, to be sent out to new places.

The first of these new places is the Glasgow Art Club Autumn show, opening this Saturday afternoon and the painting I'm sending is The Coins. The rest will stay with me for the time being.

If you want to come along and see how my painting looks in amongst other works from the Art Club members either let me know or just come along between 3 and 5 on Saturday. Otherwise the place is open most days and the show will be on for around a month.

Giving It Laldy - Glasgow Art Club Summer Show

The Glasgow Art Club Summer Show opens on the 29th and I'm planning on putting a couple of things in this time as I missed the spring show, being busy preparing the solo show (upcoming in August, so not long now!).

Since starting (back in February) to draw in preparation for painting I have got really quite into it, now using charcoal and chalk rather than graphite and watercolour. The new materials give me more scope for tonal changes and feel closer to my painting procedure - and I think make better drawings. The paper I seem to be settling on is mi-teintes touch - although the biggest size seems to be 50x70cm, which might not be big enough for some stuff. The colours are nice though and I have high hopes for them being lightfast. There is a bit of paper sitting on the windowsill presently as a test - we'll see be christmas!

Anyway, I thought it would be interesting to see this drawing in among other more formal art works at the show and see what kind of response it gets, especially as how people present themselves is becoming one of my main themes. My model was the lovely Moira Buchanan , who does feature in quite a few of my works - it is great to have someone willing to mess about, use her imagination and push a few boundaries of how a proper young lady is meant to look.

Celtic Connections at Glasgow Art Club

Last week Glasgow Art Club noticed that the main exhibition room would be in use for Celtic Connections but there wouldn't be any artwork on the walls. Oh dear. So they asked us if our exhibition could continue til the end of January.

Elaine Speirs needed her paintings back for an open studio event (wish I could go to that!) and Irene Blair also needed a few back. The rest are the same, rehung, with a few more to fill the gaps - Fran Hanley has provided some ace paintings that compliment Donna Briggs work well and I have added two.

The above is a recent painting that I miss already. It has a very calming presence, and has slotted in nicely between Sheila Macmillan's energetic landscapes.

Timeless Figurative Oils

Saturday was a good day - my husband brought me tea in bed then went out and got the shopping. I was still loafing around when he got back with the paper . . . and I was in it!

Like many glasgwegians, I am a long-term reader of the Herald and always read the visual arts section before anything else.

So I was delighted that Jan Patience has written a lovely wee article about our show.

The bit about me reads "while Gardiner's timeless figurative oils mix contemporary with traditional." Not bad for my first press-cutting!

Looking Back at 2012

What a year it has been! At the start of the year I listed a few things I wanted to do. How did I get on? Well, much better than expected! Although I didn't get nearly as much out of the 28 drawings challenge this time around - although it was lovely to see Joe's drawings really take off. My Etsy shop was something else that didn't continue to develop - largely due to shipping troubles. Maybe I will revive it, maybe not. The New York Residency really made a difference, although there were bits I hated - the continual storms, the lack of internet access, the bad food - but I came back feeling I could paint anything - and have, indeed, started to. Roses, skulls, buildings, trees . . . Possibly the big things I learnt was the use of medium, how important the planning/thinking bits of painting is for me and the benefits of getting out there, talking to people and seeing art. The unexpected event was one of my residency paintings (a three-quarter's length figure) winning the Glasgow Art Club Fellowship at the RGI. This, of course, led to the prize winner's show, where I learnt how much work there is in such a show. It also led to me meeting some new people (such as Fran Hanley and Robert Kelsey).

As there was such a deadline (told about the show late Oct, show going up early December) it forced me to really push myself, get the paintings done, and not worry about how people will like them. This has been a good thing - what feedback I have had has been good. Some of the things I wanted to develop were composition skills and landscape painting - and the above is the result. This may well be a theme (as I am fascinated by windows and reflections, as well as cities) I am going to pursue much more over the next year - but that's the next blog post . . .

P.S. this is my 100th post!

Before The Show - Glasgow Art Club Winner's 2012

James Fraser's "Prezy Posy and Pot" along with my "Leaving" - I loved his work, and was considering fitted one under my coat before I left!

"In A Green Place" along with June Carey's "I sent a letter to my love" and Irene Blair's "On A Sunday Afternoon"

My "Skulls" and James McNaught's "The Return of Esmeralda"

Jane Carey's "Written in the stars", Elaine Speirs "Siblings" and my "View from the 11th floor"

Glasgow Art Club Award Winner Show 2012

Just a wee reminder that the opening is tomorrow.

The show looks great, with work from Irene Blair, Donna Briggs, Cara Broadley, June Carey, James Fraser , Fran Hanley, John Kingsley, Sheila MacMillan, James McNaught, Elaine Speirs and Euan McGregor

There will be wine at 3pm and a wee speech from Natasha Raskin.

If you can't come along tomorrow, the show will be on until the 5th January - opening hours and some photographs of the work can be seen at the art club webpage

See you all soon!

View From Glasgow University Library

Some of you may remember I took part in 28 drawings later in 2011, which encouraged me to start using a sketchbook for the first time. I will be eternally gratefull to Victoria for starting it!

A couple of the drawings I did were of the view from the library og Glasgow University - my first landscapes. Since then, I have kept returning to the idea and finally I plucked up the courage to try it in oils. Not easy or fun. Those straight lines where a pain - it seems I should have drawn the thing out first, rather than breenging in with the paint like I normally do. I'll know next time.

Anyway, I am already at work on another two based on library views - I can see a whole series happening. This one is going on show at the Glasgow Art Club Show

Yellow Roses Painting

This is going to be a busy weekend, with not one, but three openings!

The first, on Friday night from 5 til 8, is at Art Exposure, where the above painting will be, along with a couple of small portrait paintings based on New York people. Most of the rest of the show will be small works under a hundred quid so should be quite inteseting. And, of course, the wine, canapes and chat is always good. There is a big, comfy sofa . . . .

On the same night is Virginia Gallery's christmas show. Being a little different, they have gone for a white theme - and I suspect at least a few of the works will be a little naughty. They also promise snow. Hopefully Jon Snow. I would like that.

The next day it is on to the RGI Kelly Gallery for their postcard exhibition - this year there will be small 5x7 inch works unframed for £250 as well as works up to 60cm in diameter. Promises to be very varied - my two little ones are both oils, one a painting done in the life room, the other a small landscape which is part of a new series that I am working on at the moment.

The big brother of the little landscape will be at the Glasgow Art Club Winner's Show from the 8th December - more on that later on!

Glasgow Art Club

The front door of the Glasgow Art Club

And the hall - the bar is just on the left here. Very important to know where the bar is . . .

Thought I'd show my american readers how lovely the Glasgow Art Club is.

The rest of you I hope will come along to see my show on Saturday the 8th December, at 3pm. I am showing with 10 other winners over the last year of the Glasgow Art Club award and it is promising to be a cracking show.

Or you can come for the free wine, the comfy sofas and the roaring fire. Anyway, all welcome.